Was three years too long to wait for another Switchblade album? Or not long enough? Sweden's Switchblade offer their fifth self-titled album in nine years. In the span of 50 minutes, Switchblade offers another huge slab (and I mean 'slab') of doom metal best reserved for you next visit to a crypt or foggy graveyard. Personally, I think I'm going to pipe album number six through some outdoor speakers on Halloween night just to scare the pants of the little children and terrify the parents.
This self-titled LP is essentially heavy foreboding creepiness good only for a funeral procession. Inherently lacking any depth or variation, album number six plods along at a horrifyingly boring pace. I imagine that attendees to a concert are fed intravenously thick doses of barbiturates prior to and during the show because that is the only way they could endure this stupefying music. Honestly, I can't see how Steen, Folkesson, and Bertilsson survived the recording sessions without falling asleep or boring themselves into redundant oblivion.
Switchblade's fifth self-titled is about nothing (almost like an episode of Seinfield); nothing but plodding uneventful distortion and gloom. There's more cheer in a graveyard than on this disc.
Switchblade's fifth self-titled is about nothing; nothing but plodding uneventful distortion and gloom. There's more cheer in a graveyard than on this disc.
Rising only a few years from Suffolk, England, Renegade Twelve is a young modern heavy metal band. The five piece band cites some diverse influences such as Iron Maiden, Metallica, Killswitch Engage, Pantera, Slash and Alter Bridge. From that we deduce one thing ... [ Read More ]