With 2009's Deconstructive, Italian metal band Ashent attempted to break from European power metal mold with a more progressive sound. Largely, they succeeded, although it was sometimes uneven. This year's Inheritance builds upon that foundation as Ashent tries press farther into the realm of progressive metal.
Again, generally, they have succeeded. Some of the success comes from a new lead vocalist, Titta Tani, who is a quite versatile singer and arranger. Additionally, Ashent have made their arrangements more technical, even complex, adding sequencers, synths, some sax inserts, orchestral parts, and choirs.
Sometimes, however, this attempt at invention and complexity blows back on them. Songs like Eve, Shipwrecked Affair, and Spider's Nest are so thick that it sounds like there are several songs overlapping one another in the same arrangement. Some of this may be due to the mix, but I doubt it. Conversely La Danzatrice Scalza has the complete opposite feeling. It's nearly perfect prog, interestingly, but not severely, technical, and simply delightful to the ears. Actually, Ashent seems to better when they're not trying to fill a song with a trick in their bag. Renaissance and the closing instrumental Labyrinthique are entertaining in their lack of complexity.
Yet, overall, Inheritance Inheritance continues to deepen the Ashent's exploration into more complex progressive metal, but sometimes with mixed results. Recommended.
Overall, Inheritance continues to deepen the Ashent's exploration into more complex progressive metal, but sometimes with mixed results.
I'll be honest at the start. I don't get the fascination some people have with H.P. Lovecraft. Attempting to read his stories, I've never been able to finish one. He's simply too verbose, the very definition of literary hyperbole, using every adjective or adverb in the English language to describe some thing or emotion. Or as the late ... [ Read More ]